The spectrum of audiovisual artists is as broad as the tools and different languages available.

Each artist explores a particular area of the audiovisual. The sum of all their artwork is what defines audiovisual culture.

Of course the definition is fluid and ever-changing due to the technological evolution and the constant offspring of new artistic languages.

Tatsuru Arai investigation embraces one of the most important aspect of the audiovisual culture: synesthesia.

The synesthesia is the condition under which two or more senses are perceived simultaneously. In his specific case by visualizing the geometric structure that rigs the musical composition.

One of the first artists to investigate the relations between music and imagery was Kandinski. He explored how different shapes and colours relate to each other by communicating different movements to the viewer.

In the same way different notes, rhythm and music patterns relate to our inner soul, triggering different emotional movements.

The Japanese artist (currently living in Berlin) features an interesting background of music composition, computer programming and multimedia art.

Arai’s generative art is highly complex and goes beyond the audiovisual genre. It takes on a profound reflection around the universe and its structure based on vibrations, as advocated by the theoretical framework of the string theory.

His series “Principle of Hyper Serial Music” starts a direct dialogue with the Serialism movement developed by René Leibowitz and Pierre Boulez.

The series adds “innovation” to the three main points of the serial music: “structural”, “complex” and “noisy”. Arai achieves this by incorporating AI within the musical composition and the visualization of its structure.

The result is an audiovisual duet between human and machine with the two elements constantly learning from each other in his ever-evolving investigation.

Ultimately, Tatsuru Arai uses the sound and its visualization as a key to make experience of the nature of the universe, even if just a small part of it.

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The interdisciplinary group is made of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world.

The collective aims to explore the relationship between the self and the world and new perceptions through art. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them.

teamLab seeks to transcend these boundaries in our perception of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity of life.

teamLab’s works are in the permanent collection of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki.

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Formed in 2012, The Colour Project is a UK based Motion Graphics and 3d Design studio specialising in video projection mapping.

TCP design shows and  visual content for, events, launches and epic architectural mapping shows. We produce original graphics, animations and bespoke video content to tell compelling stories and amaze audiences.

 
They’ve created shows internationally and at home, from galleries to World Heritage sites. Our audiences range from hundreds to tens of thousands and we work with brands and cultural organisations to create spectacular live events and installations in public spaces.

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In his A/V live sets he uses multiple layered programmed visuals reacting to the live soundscape.

In 2019, he showcased his live A/V sets at //Dreamlands\\ presented by Testu Collective x Ideal Glass Studios. He is one of the organisers of 0 // 2019 Public Visuals, live A/V event in Brooklyn, NY.

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Visual Artist & Party Maker 

Born in Baja California Mexico, The Ivanovich moved to Madrid in 2001 to learn about 3D digital tools.

In 2003 he then moved to Barcelona where he worked as Illustrator and he learned the ropes about After Effects + 3D motion graphics.

In 2009 he moved to Uppsala, Sweden to work as Motion Graphic Designer,.

In 2017 he moved to Malta to work as a VFX artist in Stargate Studios. He then decided to dedicate himself to do the stuff he loves more: making visuals and creating new atmospheres in underground clubs.

The Ivanovich

uppslajungle@gmail.com

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Tving Stage Design creates animatic scenography and new vision of audio-visual culture using 3D mapping performances on buildings / objects and VJ.

Transforming every form of idea / sound to motion graphic shapes. Our performances and installations are metaphysical experiences… picture + sound, people + time = Visual Experience.

Tving Stage Design was originally founded by Thomas Gawroński in 2010. In 2013 Patrick Zimończyk joined the team.

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He started working as VJ during the National Student Film Awards 2012 where he was working with Projection Mapping. He mapped a building at Film and Television Institute of India.

He participated in an International Vjing competition, among the top Vjs during the light festival called Circle of Light in Moscow,Russia in 2014.

He created an Interactive Installation Space during Schmiede Artist Residency Program 2014 in Hallein,Austria.

In 2013, he got an opportunity to participate in Lux Greco competition where he had to map the monastery gate in Toledo, Spain. He received the special mention jury award during the competition.

tejas4friends@gmail.com

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Since then they have become an established creative studio on the world stage developing new forms of cross-disciplinary practice through the fusion of film production, animation, motion design and the application of creative code and cutting edge tools.

Working in collaboration with a board network of award winning documentary filmmakers, animators, designers and software developers we have produced a multitude of ground breaking projects, exhibiting and touring our projects internationally.

Creative communication and story telling is at the very heart of they they do, from their self-initiated art projects to working to a client’s brief. they pride ourselves on producing both artistic and commercial projects that inform and entertain, always ensuring that the idea and concept behind the work dictates our processes.

They continue to push the boundaries between art and design with their work and bring their 15 years of experience as world leaders in the creative industries to every project they undertake.

info@thelightsurgeons.co.uk

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The Light Surgeon

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TEA GUARASCIO (1974) Anthropologist , photographer, video artist, V.J. y audiovisual director. Cosmopolitan, nightlife, restless: Her heart beats at least at180 B.Pm. She loves experimenting within diverse media languages, avoiding any limits in her creation, until her brain and her heart stops beating.

With her personal and provocative style, She crossed the bounderies of the still image, to move into hybrid territories of audiovisual contamination: between performance, dance, documentary, 3D generative experiment, sound and any other art form. She Collaborates and publishes as a photographer for various magazines, newspapers and art books.

Rome, Berlin and Barcelona are the cities where where she realized various creations and more than a hundred exhibitions amongst photography, video art, performances and other art events.

She participates in the : PLUG FESTIVAL 2010 – – Festival MAPA VAD 2010 –Festival INFLUENCERS CCCB -Festival FEMELEK 2011 – Festival Antic Festival Goes Electric VOL IV – Festival Internacional # NRVP – Bang_V Festival internacional of Video Art Barcelona – Visual Brasil 2012 – Festival SINAPSIS 2012 – Festival PROTOCLIP 2012 (festival internacional de videoclip Paris)

tea@te-avproject.net

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Tea Guarascio

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Founded on 2000, Telenoika is a collective interested in audiovisual creation. The collective main aim is to share knowledge and artistic innovation with the public.

After 20 years of activity, Telenoika has managed to join a wide community of artists interested in interrelations, development and the possibility to show their interests to society.

Nowadays, the work of Telenoika is based on the support for emerging artists by means of subsidies for research and grants for artistic production, as well as on the audiovisual training through an affordable and varied program of workshops, presentations and courses.

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